If you have a perfectly constructed logline that genuinely taps into the essence of what your film is all about, then its meaning should resonate on every page of your script.
Screenwriting guru Blake Snyder has often referred to the log line as the DNA of your film, and I believe that statement to be very true. While the logline can serve you well both in written form and verbal form by getting the attention of producers, readers, agents, and anyone else you may want to interest - you also need to take into account the benefit a strong logline has on yourself as a writer.
#Example of logline tv
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The goal is to sell the idea of the script, rather than the story itself, and the most effective way to do this is with a strong logline.ĩ Vintage Typewriters and Retro Keyboards for Every Kind of Budget That’s okay though because you don’t need to give away the entire story - in fact you shouldn’t. And unfortunately, when dealing with anyone that can really do something for your film, all you might have is a sentence or two worth of time to get your idea across. After all, it simply isn’t possible to convey every last detail of a 110 page script in a sentence or two. If you’ve ever tried to explain your entire feature film to someone in one sentence, you’ve surely found that it can be quite challenging. While it’s critical to have a good logline so that you can concisely explain your film on paper, it works just as well verbally.
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